Allegheny
College, Meadville, PA 16335
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Allegheny
College, Meadville, PA 16335
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Available Back Issues
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Back Issues $7• Double Issues $10 |
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| X,1 | articles on Kazaan, Godard, Agee, Leon | XXII, 2 | Hitchcock's Silent Films, Schindler's List, The Decaloque | ||
| X, 3 | Retrospectives on Hitchcock, Wajda | XXII, 3 | Early Avant-Garde, Le Mepris, Bound, books | ||
| XI, 1-2 | Special Tenth Anniversary Anthology Issue | XXIII, 2-3 | Special Double Issue on Douglas Sirk, edited by Gerd Gemunden | ||
| XI, 3 | Film Noir, Leave Her to Heaven, The Reckless Moment, Despair | XXIV, 1 | John Woo, Elvis, Henry Fool, The Full Monty | ||
| XII, 3 | Wiseman's Welfare, Szabo's Mephisto, Pasolini's Pigsty, Schlondorff's Swann in Love | XXIV, 2 | Leigh's BBC Films, Rope, To Live, Syberberg on Adolphe Appia, books | ||
| XIII, 2 | Special Issue on Feminist film critisism, edited by Janice Welsch | XXV, I | The Thin Red Line, Une Femme Est une Femme, Regeneration, Cain and Noir | ||
| XIII, 3 | Providence, Forbidden Planet, Cries and Whispers, Acting Styles | XXV, 2 | Wong Kar-Wai, Australian films in America, Bazin on film technique, books | ||
| XIV, 1 | Anna Magnani, Pasolini, Music in The 400 Blows | XXV, 3 | Special issue on New Zealand Cinema, edited by Andrew Horton | ||
| XIV, 2 | The Big Clock, Gabriela, children in Cinema, interviews, book reviews | XXVI, 1 | Return of Martin Guerre/Sommersby, Stage fright, Crouching Tiger, Hidden Dragon, books | ||
| XIV, 3 | Special Issue on Psychoanalysis and Cinema, editied by Sonya Jones | XXVI, 2 | Being John Malkovich, To Be or Not To Be, La Nouba | ||
| XV, 1 | Special Issue on Modern British Cinema, edited by Luciana Bohne | XXVI, 3 | Film gris, Mississippi Burning, Interview with Budd Boetticher, books | ||
| XV, 2 | Pasolini's Theory and Practice, Modernist Films by Ackerman, Duras, and Rocha, Kings of the Road, La Soufriere, The King of Comedy | XXVII, 1 | Special Issue on Contemporary French Cinema, edited by Walter Metz | ||
| XVI, 1-2 | Special Double Issue on British Cinema, 1900-1975, edited by Wheeler Winston Dixon | XXVII, 3 | The Matrix, In Praise of Love, A-Bomb Films, books | ||
| XVI, 3 | Disney and Warner Bros. animation, female narration, Swing Time, Wings of Desire | XXVIII, 1 | Fight Club, Reflexity of the road film, Dixon interview | ||
| XVII, 1 | Cavalier's Therese, Albert Brooks, Kricfalusi interviews, books | XXVIII, 2 | Boys Don't Cry, Dark City, Minority Report | ||
| XVII, 2-3 | Special Double Issue on "Interpretation, Inc.": Issues in Contemporary Film Studies, edited by David Bordwell | XXVIII, 3 | I Could Read The Sky, Fish and Elephant, The Face of the Bandit | ||
| XVIII, 1 | Kuleshov's Mr. West, Kurosawa's early thrillers, Thelma and Louise | XXIX, 1 | Fear and Desire, One-Eyed Jacks, Monster's Ball, Janet Staiger on Gus Van Sant, books | ||
| XVIII, 2 | Central American Cinema | XXIX:2 | Manchevski's Before the Rain and Dust, Cronenberg's special effects, Greenaway interview | ||
| XVIII,
3- XIX, 1 |
Special Double Issue on Fred Zinnemann, edited by Arthur Nolletti, Jr. | XXIX:3 | Spirited Away, Roman Polanski, Jack Hill interview, Cannes Festival Report | ||
| XIX, 2 | Vertigo, Naked, Days and Nights in the Forest; Eisenstein and Woody Allen | XXX:1 | Band Wagon, Burt Reynolds, Sergi Lopez, Dardenne Brothers interview | ||
| XIX, 3 | The New Auteurism: Egoyan, van Ackeren, Holland, Pasolini, Scorsese | XXX:2 |
Reviews of Bonnie and Clyde, Terrance Fisher's Crime Films, Beefcake |
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| XX, 1-2 | Special Double Issue on New Film Theory, edited by Wheeler Winston Dixon | XXX:3 | Soldier of Orange, Serbian cinema, D. Ross Lederman's films, Berlin Film Festival Report | ||
| XX, 3 | Special Issue on the Western, edited by Michael Vella and Luciana Bohne | XXXI:1-2 | Special double issue on Complex Narratives, edited by Janet Staiger | ||
| XXI, 1 | Blade Runner, The Icicle Thief, Scarlet Street, British B-Films | XXXI: 3 | Brokeback Mountain, The Girl of Your Dreams, Open Water, Cannes 2006 | ||
| XXI, 2 | Special Issue on Post-Communist Cinema, edited by Andrew Horton | XXXII:1 | Special Issue on Digital Visual Effects and Popular Cinema, edited by Kristen Whissel | ||
| XXI, 3 | Basic Instinct, The Big Heat, feminist and gay male spectatorship, remakes, Trinh T. Minh-ha interview | XXXII:2 | Radiography and Film Noir, Renoir's 1930s Cinema, 3:10 to Yuma (1957), Cannes and Berlin festival reports | ||
| XXII, 1 | Special Issue on Genre, edited by Christopher Orr |